I'm not able to add anything more to help J. Stuart to get the deserved credits. Yet, the vision of his work sparkled some candid questions in my mind (you might be surprised, as well as I am, why I never asked them before ...): how strong is today, with current technology (the film was shot with a Canon D7), the relation between moving pictures and still? And how large is the blurred area that separates the first from the latter? Is it growing or narrowing? I'd really like to know your opinion about.